Catalog (370)

GROTESQUES

by Jack Coughlin

Aquarius Press, Baltimore, Maryland, U.S.A.- First Edition

A fine group of etchings by Couglin on the theme "Of Sundry Copulations Whereby A Man Genders With Sundry Kinds Of Beasts". This is number 63 of 140 numbered copies signed by the artist. Each etching measures 4 1/4" by 3". All are fine impressions, protected by silk paper. There are twently plates in all, each hand-printed by Atelier LeBlanc in Paris. The book is in fine condition and is laid into a ...

Exceptional Arts & Crafts painted leather necessaire with tooled, painted and gilt decoration of birds and blossoms, opening to an interior complete with almost all of its original fittings including bottles and trays with fire gilt lids, brushes, combs, buttonhook, etc. French, c. 1870-1880.

Height: 8”
Length: 11.25”
Width: 12.5”

English, Bilston, late 18th century, patch box,

These memento boxes were popular at the end of the eighteenth century and frequently given as tokens of friendship and love. Usually oval in shape, but also circular and rectangular, the decoration reflected the popular styles of the day. For example, by the 1790s Neoclassical style swags, doves, hearts, and borders were the most commonly used decoration of the day. This one reads "The Absent Not Forgotten."

Source:
Susan Benjamin. En...

Tabletop Still Life with Fruit A lithograph by C.H. Crosby & Co., 1874, in a folk art carved frame.

Print size: 5.25” x 7.5”
Frame size (max): 10.5” x 12.5”

Rare American Federal tea caddy in nicely figured mahogany with three sides and stepped lid inlaid with banding and corner fan decoration; rectangular, with shaped skirt and French bracket feet and divided interior. Probably 1800. Provenance: The Cockrell Collection. See Montgomery, American Furniture, The Federal Period, #436-439 for other examples. Height, 9.25”; Length, 12”; Width, 6.5.”

Classic Antique English Child's Windsor Armchair in various woods with a hooped back, shaped seat and turned legs joined by an 'H' stretcher. Circa 1870.

Seat height: 12"
Back height : 28.75"

Antique Cast Bronze Inkwell, circular with a hinged, domed lid and inscription around top rim. Probably Indian, 18th/19th Century

Diameter: 4.75”
Height: 3.75”

Grocery Still Life

James Francis O’Brien (American, 1917-1996)

Oil on canvas, signed, titled and inscribed on the reverse.

Painting size: 16” x 20”
Frame size: 21” x 25”

** Please Note - This painting came directly from the Estate of Mr. O’Brien. For other examples, type “O’Brien” into the search box.

** For other paintings by artists from Maryland, Virginia, Washington DC or North Carolina, click on the “Regional Artists” button on our Hom...

British Three Masted Ship in the Bay of Naples

Italian School, Circa 1870.

Before photography, ship captains, owners or pasangers would commission local artists to paint their ship in foriegn ports, Here we see a ship in the Bay of Naples with Mount Vesuvius in the background

Ptg. : 10.5" x 16"
Frame: 13" x 18"

Fine English Regency tea chest of sarcophagus form in rosewood, banded and inlaid with brass; the rectangular, canted lid opens to a fitted interior with two lidded tea caddies ad a later sugar bowl. Circa 1810-15.

Height: 6"
Length: 13"
Depth: 6.5"

Max Weyl (German/American, 1837-1914)

"Evening on the Marsh"

Oil on Academy Board, signed and dated "(18)88", dated "Dec. 27,1888" on the reverse and titled by Benson B. Moore also on the reverse.

Provenance: The Washington area painter Benson B. Moore. Moore studied with Weyl at the Corcoran in Washington D.C.

Painting: 11 x 16 in.
Frame: 16 x 21 in.

**Please Note: This item is not currently on view in our gallery. Please call at least 48 hours in advance ...

FinePair of Italian Grand Tour Bronze Candlesticks with nicely detailed foliate decoration and with good patina and fine castings. Having a removable ormolu drip pan above a bronze candle cup and supported by a turned and foliate decorated column with a tripartite scrolling ormolu base and mounted on a tripartite bronze plinth. These would have been brought home as a souvenir by someone who had made the Grand Tour. Italy, circa 1870. Height: 11.25"

18th-century English Transferware Patch Box; Now known as Royal Leamington Spa, the town of Leamington began its prodigious spa industry in 1784 when it began building baths around its salt springs. Consequently, the image on this patch box displays a Classical figure holding a caduceus, a symbol of the medical community dating back the sixteenth century. Thus, it is safe to say that this could have been produced no earlier than the last quarter of the eighteenth century. In addition, this box...

Young Boy (perhaps a Putto) with a Branch and a Rattle

By Aguste Moreau (French, 1834-1917)

Base: 10" x 7"
Height: 23"

*Please note: This is an original antique bronze, not a modern re-strike, and is so guaranteed.

Auguste Moreau was born in Paris in 1834, the youngest son of sculptor and painter Jean-Baptiste Moreau. He studied with his father and also under Aimé Millet, Augustin Drumont and Jean Thomas. Each of the three Moreau brothers - Hippolyte, Marthurin and Au...

Cartouche-shaped black marble plaque inset with oval micromosaic panels depicting Roman archaeological scenes (clockwise from upper left): the Coliseum, the Temple of Hercules, the Roman Forum and the Pantheon. Those four panels surround the Doves of Pliny, an image often used in micromosaics, which comes from a Roman floor mosaic at Hadrian’s villa in Tivoli and is believed to be a copy of a lost ancient Greek mosaic at Pergamon described by Pliny the elder.

Such items were ...

Exceptional 18th Century Inlaid Sewing Box on later stand, having a rectangular hinged lid opening to a fitted interior, brass carrying handles and top and front with extensive exotic wood inlay and banding.

English, circa 1790

Box 14" x 12" x 6.5 "Overall Height: 30.5"

Fine George II Silver Tea Caddy, by Samuel Taylor, having a reverse pear-form body embossed with floral garlands centering a blank cartouche on each side, removable lid with shell-form finial. Marked on underside of base.

Samuel was the son of Thomas Taylor and started his apprenticeship with John Newton in 1737. His first marks was entered in 1744. Like his master, whose business he probably succeeded to, since Newton was finally in Maiden Lane, Taylor was a specialist in tea-caddies and sug...

Antique Masonic Gold Presentation Cane, inscribed “Presented to. Worshipful Bro. John Lee, member of Lg. No. 382, Dec. 22, 1876” with a Rosewood Shaft

Length 34"