Paul Daxhelet (French, 1905-1993)
Oil on canvas, signed.
A multi-talented and diverse artist, Daxhelet first exhibited as an engraver. However, he was also a skilled draughtsman and painted in both oils and watercolors.
He began his studies at the Art Academy of Liege before advancing to the Academe Julian in Paris...
Y. Gianni (Italian, 19th/20th Century)
Watercolor and gouache on paper, signed.
Sight size: 6.25” x 15.75”
Frame size: 10.25” x 19.75”
Burning Ghat, Benares, India
Oil on canvas, laid down, signed with conjoined intials “ECC” lower left; signed and titled on reverse.
Provenance: from the Estate of Dr. Clark S. Marlor acquired from the Artist, Charlottesville, VA.
Painting Size: 6.5”x 8.5”
Frame size: 13.5” x 15.75”
Eliot Candee Clark was a painter, teacher, lecturer and writer...
Pastel on board, with an exhibition label on the reverse from the New Haven Paint & Clay Club.
Sight size: 10” x 14.25”
Frame size: 15.5” x 19.25”
Born in Litchfield, Connecticut, Deming was a painter, craftswoman and teacher...
Barnyard Fowl, A Pair of Paintings
A pair of oils on panel, both signed and both located Paris on the reverse.
Paintings size: 5” x 8”
Frames: 9.75” x 12.75”
William Baptiste Baird was born in Chicago, Illinois, in 1847. As an adult he lived in Paris and studied under Adolphe Yvan. From1872 through 1899 he exhibited extensively at the Salon des Artistes Français in Paris...
This item has been sold. It remains on our website for internet research purposes.
by Henry Turner Bailey (American, 1865–1931)
Oil on canvas, signed. and retaining a typewritten label on the reverse.
Painting: 19.5" x 30"
Frame: 23.5" x 34"
Henry Turner Bailey was an artist, printmaker, teacher and writer. Born in North Scitiuate, Massachusetts, Bailey attended the Massachusetts Normal Art School and studied in Boston and Europe before settling in Cleveland, Ohio...
Oil on artist board, signed lower right and titled on the reverse.
A London painter, Cole exhibited extensively at the Royal Academy; British Institution and Society of British Artists, Suffolk Street. He was best known for his paintings of horses and dogs. Cole is listed in the Dictionary of British Art, Vol. IV, Victorian Painters by Wood...
Une Heure de la Nuit
Bronze with good mid-brown patina.
Pollet was known for creating figures and groups with a religious, historical, classical or allegorical bent. His themes included The Night, The Dawn, Star of Evening and Bacchante. While in Rome he was a student of Villareale, Thorvaldsen and Tenerani. Eventually, he also worked in Paris and Brussels...
Theodore Gerard (Belgian, 1829-1895)
Oil on canvas, signed.
Born into a family of painters, Gerard studied under Canneel and Vanderplaesten at the Academy of Fine Art in Gent. After first producing copies of Old Master paintings for Paul Flit, he moved to Brussels where he undertook similar work for Plaspera.
His travels throughout in Germany, northern Switzerland and Austria greatly influenced his work...
Bridge over a Stream with Cows Watering
Oil on canvas, signed and dated: “(18)72”.
Painting size: 18” x 30”
Frame size: 25” x 37”
The first of the Wiggins family of artists, John Carleton began his education at the National Academy of Design under George Inness...
Brunel de Neuville was a painter who specialized in painting scenes with animals, flowers and fruit. He exhibited his paintings in Paris, at the Salon des Artistes Français beginning in 1879. He became a member of the Salon in 1907...
Edward Charles Barnes (British, active between 1855-1882)
Oil on canvas, signed lower left.
Painting size: 24” x 20”
Frame size: 30.5”x 26.5”
Edward Barnes typically executed small genre scenes, but here he explores that favorite Victorian subject, a beautiful woman in sumptuous dress musing to herself (no doubt) about an unresolved romantic problem.
Barnes’ technical skill is evident in his tactile rendering of details: the pillo...
Oil on canvas, signed lower left and entitled on reverse.
Painting size: 24” x 18”
Frame size: 31” x 25”
American painter C. Myron Clark specialized in marine subjects and, like so many other artists, was drawn to Venice with its ongoing atmospheric shifts in the sky and sea. This work shows the church of Santa Maria della Salute, one of the city’s landmarks, at the end of the day...
James John Hill (British, 1811-1882)
Oil on canvas, signed and dated: “(18__)” and retainging its original gilt wood and gesso frame.
Painting size: 12” x 10”
Frame size: 32” x 42”
Watercolor collage on paper, signed and with an exhibition label from the Canadian Universities Centennial Exhibition of Drawings (1967-68).
Painting size: 11” x 15”
Frame size: 22.25” x 20.25”
**Please note: This item is not currently on view in our gallery...
Taking the Fence
Oil on canvas, signed...
Constant Eechault (Belgian, 19th Century)
Oil on panel, signed and dated 1870.
Painting size: 25.75” x 35.75”
Frame size: 32.5” x 42.5”
Constant Eechault was primarily a landscape painter, but in this work, he explores the Victorian fascination with 17th Century Dutch genre scenes and, perhaps, his own artistic heritage.
A bride and groom make a progress through a town street to a reception outside a stately ...
Thomas Henry Gregg, (British, fl. 1824-1872)
Oil-on-canvas, signed, left corner and retaining a partial label on the reverse reading, in part: "by T.H. Gregg, 1860".
Gregg choose people as the primary focus in his art, painting both portraits and figurative subjects. During his lifetime, his works were exhibited at the Royal Academy; Royal Society of British Artists, Suffolk Street; and British Institution. Gregg is listed in the Dictionary of British Art...