"A Voice From the Sea"
Lithograph or monotype on Japan paper, signed and dated 1925 in the plate and pencil signed and inscribed indistinctly.
Sight Size: 11.25" x 7" Frame Size: 19" x 14.5" Sterner was born in England of American parents and studied in Birmingham and in Paris at the Académie Julian with Boulanger and Lefebvre. He also studied in Paris with Gérôme...
Tandem
Handcolored engraving, first published London, 1878
Provenance: The Jockey Club, Washington, DC.
Sight Size: 12.5” x 15.5”
Frame: 25” x 21.5”
Charles F. Quest (America, 1904-1993)
Color woodcut on paper, #11/25, signed and dated: “1952”.
**Please Note: This item is not currently on view in our gallery. Please call at least 48 hours in advance if you wish to see it.
**For other mid-20th Century artwork in our inventory, type “modern” into the search box.
Born in Troy, New York, Charles Quest was an active artist and educator in St. Louis, Missouri...
The Inauguration Steps, 1912
Lithograph on ivory laid paper
17 x 22 (image); 19 x 24.5 (sheet); 17.75" x 22.25" (sight); 24" x 30" (frame)
Wuerth 265
Washington D.C. series. Edition of 25...
Cubist Lithograph
Signed lower right and Numbered: 38/175
Sight Size: 15.5" x 12.75"
Sheet Size: 20.5" x 16.5"
Frame Size: 23.25" x 20
"**Please Note: This item is not currently on view in our gallery. Please call at least 48 hours in advance if you wish to see it...
Bringing Farm Products to Town
Woodcut in sepia with monogram stamp. Illustration for “Les Georgiques” by Virgil, 1937-1943, published by Phillipe Gonin, Paris. Reference: Rewald, John. The Woodcuts of Aristide Maillol. (1939)...
“ Finney Chapel”, Oberlin College
Limited Edition Woodblock Print on Tan Paper (#20/50) signed with initials in the plate and pencil signed, titled and numbered in the margin.
Sight Size: 9.5” x 6.5”
Frame Size: 17.75 x 13.5”
The Mirror of the Ballet
Color print, signed in pencil. Provenance: Horner Galleries, Sheffield, England.
Painting size: 15.25” x 19.5”
Frame size: 20” x 23.5”
**Please Note: This item is not currently on view in our gallery. Please call at least 48 hours in advance if you wish to see it.
Painter and printmaker William Russell Flint worked for the London Illustrated News and lived in Notting Hill...
Nocturne (ou Le Flirt)
[Merrill Chase, no. 63]*
Aquatint with etching in colors, circa 1906, on wove paper, signed in pencil in the image lower left...
Studio Antiques has found the original engraved copper printing plate of the “Capitol at Washington” done by Max Franke in 1892. We are offering a limited edition re-strike engraving of this print, handpulled from the original plate by master printmaker Roger Bailey. It will be limited to a numbered edition of only 350 and will not be republished...
Print size: 5.25” x 7.5”
Frame size (max): 10.5” x 12.5”
Two Cockers with Pheasant / Deux cockers et un faisan
A pencil signed, limited edition colored engraving, "139/500", circa 1930
Sight Size: 19" x 26"
Sheet Size: 25 x 32.5"
Frame Size: 28.5" x 36"
Léon Danchin (21 June 1887 - 4 August 1938) was a French artist known for his drawings of animals, primarily sporting dogs...
The Confidence
Lithograph on paper, signed in pencil. Published 1944 by the Associated American Artist, Edition of 250.
Image: 9.5” x 11”
Sheet: 11.5” x 13”
unframed
**For other mid-20th Century artwork in our inventory, type “modern” into the search box.
Painter and printmaker Joseph Hirsch studied at the Philadelphia Museum of Art School from 1927 to 1931...
A Pre-publication print from the portfolio “Formulation:Articulation.” Co-published by Harry N. Abrams, New York, and Ives-Sillman Inc., New Haven, 1972.
Silkscreen in colors mounted on board...
John Leech (English, 1817-1864)
Chromolithographs, Published by Agnes, circa 1865.
Provenance: The Jockey Club & The Fairfax Hotel, Washington, D.C.
All framed differently
Depending on the source, Leech was born on either August 23 or 29, and was the son of a coffee house keeper or vintner. While the beginning of his life may be unclear, there is no doubting the significant artistic contribution Leech left for posterity...
J. H. Buffords Sons (lithographers); James T. Hill (publisher) Boston, Massachusetts, 1866
Chromolithograph on paper
Sheet Size: 26 x 21 in., unframed (Minor toning visible in borders, minor burn visible in borders, 1” tear in right border)
The following is courtesy of the Scottish Rite Masonic Museum & Library (nationalheritagemuseum.org) :
Masonic chart for the first three degrees...