Catalog (391)

Herbert Johnson Harvey (British, 1884-1928)

Confidences

Oil on panel, signed upper right and titled on frame. Provenance: Cotman Gallery, Birmingham.

Painting Size: 10.5” x 8.5”
Frame Size: 17.5” x 15.5”

Born the son of artist John Rabone Harvey, Herbert Johnson Harvey was a London based painter and etcher known for his portraits. He exhibited at the Royal Academy and the provinces.

Source:
Waters. Dictionary of British Artists Working 1...

John Chapman Lewis (Am. 1920-1995)

WATERFRONT

Oil on masonite, signed and titled on the reverse

Frame: 23" x 33"

  Lewis was a prominent member of the "The Washington Color School" (early 60's), so named after the New York School, in turn derived from L'Ecole de Paris. The Washington School dealt with the importance and the identifiable nature of color with such artists as Kenneth Noland and Mark Rothko leading the way. Lewis' qualifications and accomplis...

August H. O. Rolle (American 1875-1941)

Rock Creek Park

Oil-on-canvas, signed lower left.

Painting: 16” x 20”
Frame: 23” x 26 ½”

August Herman Olson Rolle, painter, printmaker and graphic artist, dabbled in many activities before turning his focus to art. Born in Sibley County, MN, in 1875, his first path toward adulthood led him to Red Wing Seminary. Service in the Spanish-American War, eventually lead him to Washington, DC where he beca...

Wonderful Victorian Church Form Whimsey in mahogany, having two drawers and a small well beneath the steeple.

English or American, circa 1870.

10" x 6"x 16"tall

Charming Antique English Hanging Cutlery Box in oak, banded in mahogany and inlaid with a knife and fork, having a hinged lid and carved crest rail. Circa 1800.

7.5" x 5" x18.75 "tall

Exceptional Napoleon III Tea Chest, ebonized with extensive ormolu mounts; rectangular with cut corners, having a stepped hinged lid with a small compartment surmounted by a figure of a boy holding a tray and opening to a fitted interior with a well, two gilt crystal caddies and a sugarbowl. French, probably TAHAN, late 19th Century.

13" x10" x 13" tall

**Please Note: This item is not currently on view in our gallery. Please call...

Fine Pair of Grand Tour Bronze and Ormolu Candlesticks in the Empire style with fluted baluster shaped shafts , with acanthus decoration on gilt-bronze sections and paw feet raised atop tripartite bases. These would have been brought home as a souvenir by someone who had made the Grand Tour. France or Italy, circa 1870.

h: 11 in.

English School, early 19th century

Portrait of a Woman in Lace Cap

Oil on panel.

Provenance: J. Davey & Sons, Manchester, England

Painting size: 8.5” x 7”
Frame size: 11.5” x 10”

Benson Bond Moore (American 1882-1974)

"October Morning, Foxall, D.C."

Oil on board, signed l.l. , and titled on the reverse

Provenance: The Collection of Richard Brodnax Maclin
The Estate of a Toms River Collector

Exhibited: The Washington County Museum of Fine Arts, Hagerstown MD: A Seasonal View - The Landscapes of Benson Bond Moore, September 1 - October 27, 1996

Painting: 14" x 18"
Frame: 18.75" x 22.5"

** For other pai...

Antique Italian Openwork Carved and Gilt Mirror; rectangular with scrolling leafage openwork decoration. Late 19th Century

Plate: 21.5 x 17.25"
Frame: 29" x 33"

**Please Note: This item is not currently on view in our gallery. Please call at least 48 hours in advance if you wish to see it.

Antique English Regency style child's high chair in mahogany with caned seat and back, with a replaced adjustable footrest, turned cross stretcher and detachable turned leg stand. The stand can then serve as a small table when used with the chair.Late 19th century.

Height: 36”
Width: 17”
Depth: 14.5”

John Henry Smith (British, fl.1852-1893)

An Artist at Work

Oil-on-canvas, signed lower left and dated “1863”

Painting Size: 22.25” x 18”
Frame Size: 31.25 ” x 27.25”

This charming portrait of a young woman artist at work is a wonderful depiction of the painter and her tools. Her subject of a vase of flowers with fruit sits on a table to her right. The sturdy adjustable easel has a shelf where she has laid out her tubes of pigments. She is using a...

Manuel Robbe (French, 1872-1936)

Nocturne (ou Le Flirt)
[Merrill Chase, no. 63]*

Aquatint with etching in colors, circa 1906, on wove paper, signed in pencil in the image lower left. From the edition of about 100, with minor staining in the margins, not examined out of the frame.

Image Size: 13.5" x 17.5"
Frame Size: 24" x 27.5"

Robbe was a painter of genre scenes, a watercolorist, p...

Frants Henningsen (Danish, 1850-1908)(p) The Captain’s Tales(p) Oil-on-canvas, signed on the stretcher and dated 1889(p) Painting: 24 ¾” x 33 ¾”(p) Frame: 32 ¾” x 42”(p) SAFA/10858 Henningsen was born in Copenhagen and studied art at the Danish Academy. In 1877, he traveled to Paris and studied with Léon Bonnat. He later went on to Spain where he copied paintings in various galleries on commission. Henningsen worked in Charlottenborg painting p...

Antique Regency Sarcophagus Form Tea Chest in rosewood having a hinged lid inlaid with a classical scene with griffins flanking an urn and opening to a fitted interior with two removable lidded caddies and a later sugar bowl and spoon, and the whole mounted with brass lion and ring handles and feet.

English,Circa 1800

13" x 6.5" x 7.5" tall

English, Bilston, 18th century, patch box. These memento boxes were popular at the end of the eighteenth century and frequently given as tokens of friendship and love. Usually oval in shape, but also circular and rectangular, their decoration reflected the popular styles of the day. For example, by the 1790s Neoclassical style swags, doves, hearts, and borders were the most commonly used decoration of the day.

Allover cracking. Small losses to the lid, one side and the bottom.

Susan B...

Exceptional Naturalistic Bronze Covered Compote, urn form with extremely fine decoration of bugs, leaves and flowers. Probably French, mid 19th Century.

Height 10"

Fine George II Silver Tea Caddy, by Samuel Taylor, having a reverse pear-form body embossed with floral garlands centering a blank cartouche on each side, removable lid with shell-form finial. Marked on underside of base.

Samuel was the son of Thomas Taylor and started his apprenticeship with John Newton in 1737. His first marks was entered in 1744. Like his master, whose business he probably succeeded to, since Newton was finally in Maiden Lane, Taylor was a specialist in tea-caddies and sug...