Catalog (370)

Antique American Mariners Telescope with leather covering, single draw, sunshade and sliding covers to both lenses; inscribed "R.A. Tibbets, Gloucester Mass., Day or Night" *

Circa 1830-40

Length Open: 38.25"
Length Closed: 20.75"

*Robert Abbot Tibbets, was a retailer of nautical equipment, watches/clocks, jewelry and silver. His shop was at 117 Front Street, since renamed Main Stree...

Antique oval pressed and engraved crystal dresser box with gilt metal mounts. Probably French, Circa 1900.

3.5" x 4.5" x 3.5” tall

Antique Gilt Silver and Green Chalcedony Mounted Crystal and Mahogany Umbrella Handle in the Secessionist taste. European, Circa 1900, now mounted on a carved wood base.

Height: 13"

Federico Jiménez Fernandez (Spanish, 1841- ?)

Chickens and Rooster

Oil-on-Panel, signed lower right

Painting: 12.5" x 9.25"
Frame: 18.5" x 15.25"

Federico Jiménez Fernandez was born in Madrid in 1841 and trained at the School of Painting, Sculpture and Engraving of San Fernando where he studied with José Gonzalez Bande. He traveled to Paris to continue his studies, as did so many other artists of the time. Jiménez was known for his paintings of birds and a...

Peter Paul Duggan (Irish/American 1810 ? -1861)

Macbeth

Oil on artist board

Provenance: Sycamore Farm, Portsmouth, VA (Estate of Robert Vick and Charles Sibley)

Note: Listed in "The National Academy of Design Exhibition Record 1861-1900" page 249, number 482.

Painting Size: 6 ½” x 6 ½”
Frame Size: 10” x 10”

Born in Ireland, Duggan was brought to the United States as a young child, probably around 1810. He was a student at the National ...

Alfred Wordsworth Thompson (American 1840-1896)

Lake Scene in Western Maryland

Oil-on-canvas, signed lower right and dated “1861”

Painting Size: 8 ½”” x 16”
Frame Size: 12.5” x 20”

Thompson was a landscape, historical and portrait painter, born in Baltimore where he studied law with his father. In 1859 Thompson decided to become and artist and opened a studio in Baltimore. During the first year of the Civil War (1860) he worked as a combat artis...

EARLY SEA CAPTAIN’s LONG GLASS. Especially nice hand-held telescope made by the London maker T. Lorkin, as beautifully engraved in script near the eyepiece, “T. Lorkin, London, Day or Night.” This fine, olde English example has an early form single draw with wooden barrel and brass fittings. The wooden barrel is turned of a single piece of solid mahogany. The all original four lens optics produce a highly magnified, upright image of surprising clarity. This genuine Captain’s spyglass m...

Antique Tunbridge Ware Trinket Box in Rosewood having a hinged lid inlaid with a floral spray taken from Berlin woolwork patterns, framed by bandings of tessellated mosaic marquetry. Circa 1840.

6.5" x 4" x 2" tall

Antique Charles X Style Cut Crystal Box, oval with alternating rounded and facet cut decoration, and mounted with ormolu bands and escutcheon. Circa 1900, Probably French.

6.25" x 4.75" x 5" tall

Small Tumbridge Ware Trinket Box in Rosewood having a hinged lid inlayed with a display of roses depicted in micro mosaic, framed by bandings of contrasting light and dark wood and particularly well matched geometric micro mosaic.

4.35" x 2.8" x 1.5" tall

Richard Redgrave (British, 1804-1888)

Resting Deer in a Forest Landscape

Oil on canvas

Provenance: Thomas McLean Gallery, London (retaining the original label on the back).

Painting: 20.75" x 36"
Frame: 30" x 45"

Redgrave was a genre and landscape painter. For a time he worked with his father who was an engraver before entering the Royal Academy in 1825. He began by painting historical genre in 18th century costume but in the 1840s he was among the fir...

Antique Chinese Export Rouge Lacquer Tea Caddy with faux painted brass banding; rectangular with brass carrying handles and gilt decoration, the hinged lid opening to a large pewter removable box with hinged lid and engraved decoration of figures in a landscape. Circa 1870. (rubbing to painted banding)

11.5" x 7.75" x 5.5" tall

Harriette F A Sutcliffe (British, fl.1881 - 1922)

Beauty and the Beast

Oil on canvas, signed with monogram and titled on the reverse

Exhibited: The Royal Academy, 1899

Miss Suitcliff was a Hampstead painter of genre and portraits who exhibited at the royal academy from 1881-1899 and elsewhere.

Source:

Christopher Wood, The Dictionary of Victorian Painters

Painting Size: 16" x 20" Frame Size: 24" x 28"

Johannes Marinus Ten Kate (Dutch, 1859-1896)

Working the Field

Oil on canvas. signed lower right

Painting17" x 24 3/4"
Frame: 28" x 35 1/4"

Ten Kate was known for his landscapes, beach scenes and genre paintings. Born in Amsterdam, he was the son of Johannes Mari ten Kate, under whom he most likely studied. He lived and worked in the Hague and was a member of the Hague Artists’ Society and the Pulchri Studio (...

Exceptional Pair of Italian Bronze and Ormolu Candlesticks with nicely detailed foliate decoration and with good patina and fine castings. Having a removable ormolu drip pan above a bronze candle cup and supported by a turned and foliate decorated column with a tripartite scrolling ormolu base and mounted on a tripartite bronze plinth. These would have been brought home as a souvenir by someone who had made the Grand Tour. Italy, circa 1870. 5" x 5" x 13"tall

James Pollard (British 1792-1867)

The London to Oxford Coaches at Mile Marker 24

Oil-on-canvas, signed lower right

Painting: 17” x 32”
Frame: 23 ½” x 38 1/4”

Pollard was an engraver and sporting artist noted for his coaching, fox hunting and equine scenes. As the son of Robert Pollard, a painter, engraver and publisher, James was encouraged to become a painter of horses. He was also tutored by his father’s friend, the engraver Th...

FinePair of Italian Grand Tour Bronze Candlesticks with nicely detailed foliate decoration and with good patina and fine castings. Having a removable ormolu drip pan above a bronze candle cup and supported by a turned and foliate decorated column with a tripartite scrolling ormolu base and mounted on a tripartite bronze plinth. These would have been brought home as a souvenir by someone who had made the Grand Tour. Italy, circa 1870. Height: 11.25"

Cartouche-shaped black marble plaque inset with oval micromosaic panels depicting Roman archaeological scenes (clockwise from upper left): the Coliseum, the Temple of Hercules, the Roman Forum and the Pantheon. Those four panels surround the Doves of Pliny, an image often used in micromosaics, which comes from a Roman floor mosaic at Hadrian’s villa in Tivoli and is believed to be a copy of a lost ancient Greek mosaic at Pergamon described by Pliny the elder.

Such items were ...