Catalog (370)

Fine Antique French Inkwell or Standish in Ormolu; having a hinged lid and circular stepped body with applied cast floral decoration, and raised on three toupie feet. Circa 1850.

Diameter; 4.25" Height: 3.25" SAFA/9533

18th-century English Transferware Patch Box; Now known as Royal Leamington Spa, the town of Leamington began its prodigious spa industry in 1784 when it began building baths around its salt springs. Consequently, the image on this patch box displays a Classical figure holding a caduceus, a symbol of the medical community dating back the sixteenth century. Thus, it is safe to say that this could have been produced no earlier than the last quarter of the eighteenth century. In addition, this box...

Benson Bond Moore (American 1882-1974)

"Incomimg Tide, Fort Lauderdale, FLA"

Oil on board, signed lower right and titled on the reverse

Painting: 10" x 14"
Frame: 17" x 21.25"

Provenance: The Estate of a Toms River Collector

** For other painting by artists from Maryland, Virginia or Washington DC, click on the "Regional Artists" button on our homepage

Benson Bond Moore, painter, etcher and teacher was born in Washington, DC. He studied at t...

Eavesdropping

Oil on panel, signed and dated: “1865.”

Painting size: 9” x 6.75”
Frame size: 14.5” x 12.5”

Petrus Theodorus Van Wyngaerdt (also spelled Wyngaerdt or Wijngaerdt) was born in Rotterdam. A student of J.H. Van de Laar, he painted genre scenes and portraits, as did his older brother, painter Anthonie Jacobus Van Wyngaerdt.

In "Eavesdropping", Van Wyngaerdt depicts a well-known theme from popular 19th-century French and Dutch prints-- ...

View of Laguna Beach

Charles Ross Kinghan (American, 1895-1984)

Watercolor on paper, signed.

A painter and illustrator, Kinghan trained at the American Academy of Art and the Art Institute of Chicago. In addition to his studio work, Kinghan began a career as an art teacher. In 1937, he first offered private instruction. While that continued throughout his life, he also worked for a time at the American Art Academy which was followed by a position at the Huguenot School of Art. ...

Rare Chinese export carved wood tea caddy in the form of an eggplant with leaf form screw lid. Early 19th century.

Height: 4.5”

English, Bilston, 18th century, patch box. These memento boxes were popular at the end of the eighteenth century and frequently given as tokens of friendship and love. Usually oval in shape, but also circular and rectangular, their decoration reflected the popular styles of the day. For example, by the 1790s Neoclassical style swags, doves, hearts, and borders were the most commonly used decoration of the day.

Allover cracking. Small losses to the lid, one side and the bottom.

Susan B...

Rare Red Lacquer Tea Chest of bombe shape with cut corners having a hinged steppedlid opening to two engraved pewter caddies,t he whole with gilt decoration and raised on dragon form feet.

Chinese,circa 1850

9.5" x 7"x 5.5" tall

American School, Circa 1870
Oil-on-canvas

Painting Size: 15" x 10" Frame Size: 19.25" x 14.25"

Fine George III Oval Brass Bound Peat Bucket with mahogany staves and brass banding, liner and loop handle. English, Circa 1780. 13" x 10" x 12.5" (not including handle)

Unusual Late Chippendale Tea Chest with extensive brass decoration, having a stepped, hinged lid opening to a fitted interior and the whole raised on later bracket feet.

English, circa 1790

9.25" x 6" x 6"

Antique English Silver Tea Caddy and Sugar Bowl in Shagreen Case by Samuel Taylor, London, 1758-59. The covered sugar bowl and tea canister were crafted by the prominent tea canister specialist and renowned Georgian silversmith Samuel Taylor. The box fittings are by another silversmith, probably J. Wakelin (one hinge stamped IW). The caddy and sugarbowl are pyriform, the sides and covers repousse and chased with flowers and scrolls, each on a cast circular foot similarly decorated and with f...

Chinese Pewter and Brass Tea Caddy, urn form with ribbed removable lid an an incised band of decoration

Early 20th C. (minor dents)

H:6", D: 4.5"

Rare George III Ambry in mahogany having an hinged arched top opening to a well and a paneled cabinet door flanked py pilasters, and the whole raised on ball feet. In Christian churches, items kept in an ambry include chalices and other vessels, as well as items for the reserved sacrament, the consecrated elements from the Eucharist. English, circa 1760.

18" x 14" x 28" tall

Fine Large Pair of Regency Wood and Brass Candlesticks with fluted shafts and turned, circular bases. English, 1800-1820

Height: 21.5"

Dirk Ocker (Dutch, 1882-1958)

Blossoms and Bugs
Still Life with Flowers on a Marble Ledge

Oil-on-canvas, signed on reverse

Painting: 20 ¼” x 17 ¾”
Frame: 26 ¾” x 23” SAFA/11078

5218-21: English, Bilston, late 18th century, patch box these memento boxes were popular at the end of the eighteenth century and frequently given as tokens of friendship and love. Usually oval in shape, but also circular and rectangular, there decoration reflected the popular styles of the day. For example, by the 1790s Neoclassical style swags, doves, hearts, and borders were the most commonly used decoration of the day. This box reads "Unity is the bond of society."

Most likely French, 19th century, snuff/pill box, However, it clearly dates to the late nineteenth century. The lug and ribbed banding on the metal hinge, as well as the loose hand-painted nature of the lid identify this box as a nineteenth century creation.

Very good condition. Some loss to interior enamel and on the underside.