Catalog (370)

Antique Anglo Indian iron and brass bound walnut peat bucket with ribbed body and applied carrying handles. India,19th century.

Height: 12”

Diameter: 10.25“

Chinese bamboo cut-corner tea caddy with incised and painted decoration. Early 20th Century.

Height : 5"

Benson Bond Moore (American 1882-1974)

"Autumn in Maryland"

Oil on board, signed lower left and titled and dated "Oct. 1952" on the reverse

Painting: 9" x 12"
Frame: 11.75" x 14.75"

SAFA/10979 Provenance: The Estate of a Toms River Collector

** For other painting by artists from Maryland, Virginia or Washington DC, click on the "Regional Artists" button on our homepage

Benson Bond Moore, painter, etcher and teacher was born in Washington, DC. He studied...

British Three Masted Ship in the Bay of Naples

Italian School, Circa 1870.

Before photography, ship captains, owners or pasangers would commission local artists to paint their ship in foriegn ports, Here we see a ship in the Bay of Naples with Mount Vesuvius in the background

Ptg. : 10.5" x 16"
Frame: 13" x 18"

LATE GEORGE III W.&T.M. BARDIN 18-INCH TERRESTRIAL GLOBE ON STAND 
additions to 1807, dedicated to Sir Joseph Banks, the globe in etched brass frame resting on a corona with months and zodiac on turned support with tapering downswept legs with brass casters

Dimensions: Height: 41 in. (104.1 cm.), Diameter: 24 in. (61 cm.)

This terrestrial globe is supported on a wooden tri-pod pedestal, surrounded by a wooden horizon circle, and it is equipped with a brass meridian . The cartou...

Santa Maria della Salute, Venice

by C. Myron Clark (American, 1876-1925)

Oil on canvas, signed and dated: "1906"

Painting: 16" x 12"
Frame: 21.5" x 17.5"

American painter C. Myron Clark specialized in marine subjects and, like so many other artists, was drawn to Venice with its ongoing atmospheric shifts in the sky and sea. The Peabody Museum in Salem, MA has five of his works in the permanent collection. He is listed in Who Was Who in American Art by Falk and Dict...

Most likely French, 19th century. A nineteenth-imitation of the extremely popular souvenir boxes made in Bilston at the end of the eighteenth century (see 5218-18). However, it clearly dates to the late nineteenth century. The lug and ribbed banding on the metal hinge, and the inferior quality of the painting identify this box as a nineteenth-century creation. It’s also important to note that the use of the French on the lid is not indicative of its origin, but rather another attempt at eight...

A Rare Stoneware Wine Flask (called a “Schraubflasche” in German), cylindrical with a pewter screw top, sloped shoulder and white glazed body with applied silvered decoration of a scrolling branch with leaves and berries. Silvered underglazed mark on base.

Probably German, 18th Century (chip to base)

Height: 5.25"
Diameter: 3"

Antique Carved And Gilt Wood Oval Mirror with foliate carved decoration. (Gilding darkened)

Mirror: 23" X 19.5"
Frame: 32" x 28.5"

**Please Note: This item is not currently on view in our gallery. Please call at least 48 hours in advance if you wish to see it.

Antique Regency Music or Reading Stand in mahogany, having an adjustable sloped top above, supported by a turned shaft with adjustable height and ending in three down swept legs with replaced ebonized ball form feet.
English, circa 1810

Height closed: 29.5", raised:42.5" Top:12"x 15" (minor scratches to top)

James Francis O’Brien (American, 1917-1996)

Night Lights at 18th and H Streets

Oil on canvas, signed, located and inscribed on the reverse.

Painting size: 20” x 16”
Frame size: 25” x 21”

** Please Note - This painting came directly from the Estate of Mr. O’Brien. For other examples, type “O’Brien” into the search box.

** For other paintings by artists from Maryland, Virginia, Washington DC or North Carolina, click on the “Regional Ar...

James Pollard (British 1792-1867)

The London to Oxford Coaches at Mile Marker 24

Oil-on-canvas, signed lower right

Painting: 17” x 32”
Frame: 23 ½” x 38 1/4”

Pollard was an engraver and sporting artist noted for his coaching, fox hunting and equine scenes. As the son of Robert Pollard, a painter, engraver and publisher, James was encouraged to become a painter of horses. He was also tutored by his father’s friend, the engraver Th...

Rare antique British folding campaign desk in mahogany having hinged leather lined writing surface that folds for transport. Circa 1860-70.

Height: 29”
Length (open): 24”
Width: 24”

See British Campaign Furniture, Elegance Under Canvas,1740-1914 by Nicholas Brawer for similar examples.

Antique Regency Sarcophagus Form Tea Chest in rosewood having a hinged lid inlaid with a classical scene with griffins flanking an urn and opening to a fitted interior with two removable lidded caddies and a later sugar bowl and spoon, and the whole mounted with brass lion and ring handles and feet.

English,Circa 1800

13" x 6.5" x 7.5" tall

Brass-Mounted Gonçalo Alves Collectors Cabinet

Workshop of George Bullock, circa 1815.

Having a moulded cornice above a central recessed section with shelves flanked to each side by rows of small drawers behind scrolling grille-inset doors with columnar uprights; the conforming base with four paneled doors, two with columnar uprights and raised on a platform base.

The inverted breakfront cabinet design in the French/Grecian manner was introduced by George Bullock in the early ...

A By-path

Henry Hobart Nichols, Jr. (American, 1869-1962)

Watercolor on paper, signed and dated: “1897”.

Exhibited at the Third Annual Washington Water Color Club, 1898.

Illustrated in McMahan, The Artists of Washington, DC: 1796-1996, p. 158.

Provenance: from the Estate of Virgil McMahan.

A painter and illustrator, Nichols was a member of quite an artistic family. His father, brother and wife were all professional painters as well.

He had diverse ...

American School, Circa 1870
Oil-on-canvas

Painting Size: 15" x 10" Frame Size: 19.25" x 14.25"

Richard Alan Schmid (American, b.1934)

Nude

Conte crayon on paper, signed and dated: “1969” and titled, signed: “Richard Schmid, Gaylordsville, Conn” and stamped copyright “Richard Schmid 1969” on reverse of original backing paper.

Sight Size: 4.75” x 9.5”
Sheet Size: 7.5” x 14.75”
Frame Size: 13.5" x 18"

Schmid received his artistic training from William H. Mosby at the American Academy of Art in Chicago. He has participated in many g...