Catalog (370)

James Francis O’Brien (American, 1917-1996)

This Is It? (800 Block of 14th Street)

Oil on canvas, signed with initials, located and inscribed on the reverse.

Painting size: 20” x 16”
Frame size: 25” x 21”

** Please Note - This painting came directly from the Estate of Mr. O’Brien. For other examples, type “O’Brien” into the search box.

*** For other paintings by artists from Maryland, Virginia, Washington DC or North Carolina, click on the “Regional ...

Antique Cane with dog-form carved ivory handle and a gold collar inscribed: "From Wm. Henrie on his 75th birthday, November 6th 1874"

Length: 35"

**Regarding the Sale of Items Incorporating Materials from Endangered Species: An export license issued by the U.S. Fish and Wildlife Service will be required for the export of this item from the U.S. Prospective purchasers are responsible for obtaining this form.

Benson Bond Moore (American 1882-1974)

"October Morning, Foxall, D.C."

Oil on board, signed l.l. , and titled on the reverse

Provenance: The Collection of Richard Brodnax Maclin
The Estate of a Toms River Collector

Exhibited: The Washington County Museum of Fine Arts, Hagerstown MD: A Seasonal View - The Landscapes of Benson Bond Moore, September 1 - October 27, 1996

Painting: 14" x 18"
Frame: 18.75" x 22.5"

** For other pai...

Antique Anglo Indian iron and brass bound walnut peat bucket with ribbed body and applied carrying handles. India,19th century.

Height: 12”

Diameter: 10.25“

Richard Alan Schmid (American, b.1934)

Nude

Conte crayon on paper, signed and dated: “1969” and titled, signed: “Richard Schmid, Gaylordsville, Conn” and stamped copyright “Richard Schmid 1969” on reverse of original backing paper.

Sight Size: 4.75” x 9.5”
Sheet Size: 7.5” x 14.75”
Frame Size: 13.5" x 18"

Schmid received his artistic training from William H. Mosby at the American Academy of Art in Chicago. He has participated in many g...

Rare antique Chinese Famille Rose covered mustard pot and under tray with typical painted decoration and applied bud form knob. Circa 1860 (minor wear to gilt decoration).**

Height: 3.75”
Dish Diameter: 5.5”

**See: Schiffer, Chinese Export Porcelain, illustration #404 for similar example.

Fine Filigree Work Tea Caddy, Hexagonal, with kingwood banding and with all panels and lid decorated with rolled paper floral designs with traces of color and gilding: the front panel incorporates a central print of a boy playing a flute. English, Circa 1790.

Also known as “quill work” or “rolled or scrolled paper” tea caddies, these undecorated boxes would have been purchased from a cabinetmaker and decorated at home or in schools by ladies as a genteel amusement and to show thei...

Pair of miniature three drawer chests, in mahogany, circa 1860, probably desk top boxes. Dimensions :12 "x 12"x 9"deep

Ethel M. Stilson (American)

Hayfield in Summer

Oil on canvas, signed and dated: ‘1905’.

Stilson was an Ohio artist and member of the National Association of Women Artists and the Cleveland Woman’s Art Club. She is listed in Falk, Who Was Who in American Art.

Painting size: 15”x19”
Frame: 23.5”x27.5”

Antique oval pressed and engraved crystal dresser box with gilt metal mounts. Probably French, Circa 1900.

3.5" x 4.5" x 3.5” tall

Antique Tunbridge Ware Dome Top Box, in satinwood, inlaid with other exotic woods in a leaf and berry pattern.

English, Circa 1830

Height: 3.5”
Width: 7.5”
Depth: 4.5”
(Some warp to lid)

Chinese Export Black Lacquer Tea Chest, rectangular with cut corners and lobbed body with gilt decoration of figures in courtyards; the stepped, hinged lid opening to two pewter lidded and engraved caddies and the whole raised on gilt dragon-form feet. Circa 1820 (wear to decoration). See our #581, #702. #703 for related examples. 9.75” x 7.25” x 6.75”

#530 Antique Anglo-Indian Tea Chest, sandalwood overlaid with strips of elk horn. The box is rectangular with sloped sides. The elk horn on the top of the stepped, sloping lid arranged in a starburst pattern. The fitted interior is decorated with incised ivory panels, highlighted with lac, a similarly decorated pair of removable caddies and a circular cut crystal sugar bowl and a horn caddy spoon. (The squashed ball feet are later replacements. Lid lack support). Valtair, Vizagapatam, possi...

Lucien Whiting Powell (American 1846-1930)

Bayou Oil-on-canvas, signed lower left

Provenance: Senator John B. Henderson (1826-1913)

Painting: 23” x 37”
Frame: 27” x 41”

Born 1846 in Upperville, Lucien Whiting Powell served with the Virginia cavalry during the Civil War. After attending the Pennsylvania Academy of Fine Arts, Powell moved on to the London School of Art by 1875 where he was strongly influenced by the atmospheric painting style and ...

Clark Marshall (American, 1862-1944)

Summer Landscape

Oil on canvas, signed lower right

Painting size: 14.5” x 22.5”
Frame size: 19” x 27”

A native of Talbot County on Maryland's Eastern Shore, Marshall became a highly regarded landscapist, painting mainly in the impressionist manner. Solo exhibitions of his work were held at the Peabody Institute and at The Baltimore Museum of Art. A student at the Corcoran School of Art in Washington, he later ex...

Antique Italian Carved and Gilt Wood Mirror having openwork foliate decoration. Minor distress to the Plate. Circa 1860

Mirror: 18 ½” x 14 ½”
Frame: 28” x23”

Attributed to South Staffordshire, England, Possibly Bilston, late 18th century. The “gingham finish” was principally produced in this area. By placing a piece of cambric over solid ground color and then applying white enamel this finish was achieved. The three dimensional decoration was also found in the area. It was normally created by applying several layers of enamel. In addition, the unusual heart shape has been found in other Bilston boxes.

Chips to lid and side, loss to gildi...

Banka Maruyama (Japanese, 1867-1942)

A Bamboo Grove

Watercolor on paper, signed.

Sheet Size: 20.5” x 13.5”
Sight Size: 19” x 13”
Frame Size: 25.75” x 19.5”

Banka Maruyama was a Japanese watercolor artist whose work spanned the Meiji, Taishō and Shōwa periods. Today, his work can be found in the Museum of Fine Arts, Boston, and the Museum of Modern Art, Tokyo.