Catalog (128)

Antique Regency Penwork Decorated Tea Caddy of sarcophagus form having a stepped lid opening to two lidded compartments and Chinoiserie penwork decoration. English, circa 1815.

8" x 4.5" x 5.25" (losses to the decoration)

Antique Regency Black Lacquer Tea Caddy of sarcophagus form with polychrome and gilt Chinoiserie decoration having a stepped lid opening to two covered compartments, pressed brass carrying handles and paw form feet.

English, circa 1810 (minor losses to painted decoration)

7.5" x 4.5 x 6.25" TALL

Antique Black Lacquer Chinese Export Tea Caddy with paneled, cut corner hinged lid opening to a well , vignetts of figures in gardens, and raised on carved dragon form feet. Daoguang Period, Circa 1840

8" x 6" x 5.75" tall (cracks and minor losses to lacquer)

Rare English Regency Hawksbill and Greenback Tortoiseshell Tea Caddy with ivory and pewter stringing, having cut corners and a bowed front panel with pressed tortoise in concentric ovals with fan corners and central inlaid silver oval with leafage border; the bowed lid surmounted by a ball finial and the whole raised on ball feet. Circa 1800-15. (Key). Height, 6”; Length, 8”; Depth, 4.75.”

Rare Child’s Miniature Tole Tea Caddy of Sarcophagus Form, having a shaped lid surmounted by a cast brass knop and with paw form feet: decorated with “smoke” graining and on the front a patera of polychrome flowers. American or English. Circa 1810. (Losses) Provenance: The Cockrell Collection. 3” x 2.25” x 3.5”

Rare Chinese Export Child’s Black Lacquer Tea Caddy with stepped lid and shaped body having gilt decoration of figures in courtyards and raised on carved dragon form feet. Circa 1820-1830. See our #581, #701 and #702 for related examples.
5.25” x 3.75” x 4”

Rare Antique Chinese Export red lacquer melon-form tea caddy with six loebed sides, three gilt dragon paw feet, gilt decoration of figures in gardens on body and hinged lid with carved “stem,” opening to a similarly shaped tin liner. Circa 1825. Height, 5.5”; Diameter, 6.25” Gourds and mellons had a particular significance in Chinese culture.

See: ”Antique Boxes”by Clark and O’Kelly, figure #238 and our #620 for a similar example.

#530 Antique Anglo-Indian Tea Chest, sandalwood overlaid with strips of elk horn. The box is rectangular with sloped sides. The elk horn on the top of the stepped, sloping lid arranged in a starburst pattern. The fitted interior is decorated with incised ivory panels, highlighted with lac, a similarly decorated pair of removable caddies and a circular cut crystal sugar bowl and a horn caddy spoon. (The squashed ball feet are later replacements. Lid lack support). Valtair, Vizagapatam, possi...

Chinese Export Black Lacquer Tea Chest, rectangular with cut corners and lobbed body with gilt decoration of figures in courtyards; the stepped, hinged lid opening to two pewter lidded and engraved caddies and the whole raised on gilt dragon-form feet. Circa 1820 (wear to decoration). See our #581, #702. #703 for related examples. 9.75” x 7.25” x 6.75”

Antique Pear Form Tea Caddy in fruitwood, turned in the form of a pear with iron escutcheon and stem.  Often made in suite with an apple form tea caddy for your green and black teas. You want to see a curved lockplate as many fruit form string holders are being passed off as tea caddies.  Probably German, Late 18th Century. 6.5” tall with stem

Rare 18th century fruit wood tea caddy in the form of a large apple, having a circular hinged lid with carved “stem” opening to a tin-lined interior; lock and escutcheon are original, hinge is replaced (repair to lid). Probably Continental, circa 1760-80.

Height: 4.5”
Diameter: 4.5”

Fine George II Silver Tea Caddy, by Samuel Taylor, having a reverse pear-form body embossed with floral garlands centering a blank cartouche on each side, removable lid with shell-form finial. Marked on underside of base.

Samuel was the son of Thomas Taylor and started his apprenticeship with John Newton in 1737. His first marks was entered in 1744. Like his master, whose business he probably succeeded to, since Newton was finally in Maiden Lane, Taylor was a specialist in tea-caddies and sug...

Rare 18th century fruit wood apple shaped tea caddy, having a circular hinged lid with carved bone “stem”, opening to a tin-lined interior. Probably Continental, Circa 1760-80.

Height: 4.5"

5218-21: English, Bilston, late 18th century, patch box these memento boxes were popular at the end of the eighteenth century and frequently given as tokens of friendship and love. Usually oval in shape, but also circular and rectangular, there decoration reflected the popular styles of the day. For example, by the 1790s Neoclassical style swags, doves, hearts, and borders were the most commonly used decoration of the day. This box reads "Unity is the bond of society."

English, most likely Bilston, eighteenth century. The elongated oval shape, all over floral decoration, and the unusual brown painted panels are not infrequent characteristics of Bilston’s “gingham finish” enamel boxes, hence the Bilston attribution.

Fine cracks to enamel, and small losses on both sides and back.

Source:

Susan Benjamin. English Enamel Boxes. (1976.)

English, Bilston, 18th century, patch box. These memento boxes were popular at the end of the eighteenth century and frequently given as tokens of friendship and love. Usually oval in shape, but also circular and rectangular, their decoration reflected the popular styles of the day. For example, by the 1790s Neoclassical style swags, doves, hearts, and borders were the most commonly used decoration of the day.

Allover cracking. Small losses to the lid, one side and the bottom.

Susan B...

English, Bilston, 18th century, patch box. These memento boxes were popular at the end of the eighteenth century and frequently given as tokens of friendship and love. They were also purchased as souvenirs while traveling. They frequently started with the phrase “A trifle from...” as seen on this box. Usually oval in shape, but also circular and rectangular, their decoration reflected the popular styles of the day. However, this box is particularly unusual in its mention of Blockley. Fou...

18th-century English Transferware Patch Box; Now known as Royal Leamington Spa, the town of Leamington began its prodigious spa industry in 1784 when it began building baths around its salt springs. Consequently, the image on this patch box displays a Classical figure holding a caduceus, a symbol of the medical community dating back the sixteenth century. Thus, it is safe to say that this could have been produced no earlier than the last quarter of the eighteenth century. In addition, this box...