Catalog: Antiques: Decorative Art (51)

5218-21: English, Bilston, late 18th century, patch box these memento boxes were popular at the end of the eighteenth century and frequently given as tokens of friendship and love. Usually oval in shape, but also circular and rectangular, there decoration reflected the popular styles of the day. For example, by the 1790s Neoclassical style swags, doves, hearts, and borders were the most commonly used decoration of the day. This box reads "Unity is the bond of society."

Most likely French, 19th century. A nineteenth-imitation of the extremely popular souvenir boxes made in Bilston at the end of the eighteenth century (see 5218-18). However, it clearly dates to the late nineteenth century. The lug and ribbed banding on the metal hinge, and the inferior quality of the painting identify this box as a nineteenth-century creation...

Rare Rockingham hound handled pitcher with molded scenes of stag and boar hunts and a grapevine design decorating the neck. Attributed to the Salamander Works, Woodbridge, New Jersey, 1840-50...

Pair of antique painted porcelain plaques of flowers, probably European, late 19th century, with gilt frames.

Plaque: 8 x 6”
Frame: 10 x 8.25”

Antique Gilt Silver and Green Chalcedony Mounted Crystal and Mahogany Umbrella Handle in the Secessionist taste. European, Circa 1900, now mounted on a carved wood base.

Height: 13"

Unusual metal mounted black glass dresser box with enameled decoration of flowers and a figure with bee. American, 1870-90.

Length: 4”
Width: 3”
Height: 5”

The Vũng Tàu shipwreck is a shipwreck that was found in the South China Sea off the islands of Côn Đảo about 100 miles from Vũng Tàu, Vietnam in 1692. The wreck was of alorcha boat—a Chinese vessel with Portuguese influences that has been dated to about 1690. It was found by a fisherman who had picked up numerous pieces of porcelain from the wreck while fishing. Sverker Hallstrom identified the wreck and its cargo in 1990...

Antique French Straw Work Souvenir Box, Circa 1900 (minor losses).

8" x 4.5" x 3.25 tall

Rare Child's Jackfield Pottery Teapot

3.5" tall 5" max width

Most likely French, 19th century. The image of an Englishman hunting with a hound was a common image on enamel boxes, especially snuff boxes in the eighteenth century. However, it clearly dates to the late nineteenth century. The lug and ribbed banding on the metal hinge, as well as the completely hand painted nature of the lid identify this box as a nineteenth-century creation.

Damage to hinge. Lid does not close entirely. Loss to underside enamel.

Rare Antique Blue Willow ironstone sugar caster (shaker) with typical transfer decoration. Mid 19th Century Height: 4 ½”

English, Bilston, late 18th century, patch box,

These memento boxes were popular at the end of the eighteenth century and frequently given as tokens of friendship and love. Usually oval in shape, but also circular and rectangular, the decoration reflected the popular styles of the day. For example, by the 1790s Neoclassical style swags, doves, hearts, and borders were the most commonly used decoration of the day. This one reads "The Absent Not Forgotten."

Source:
Susan Benjamin...

Pair of 18th Century Irish Silver Berry Spoons, the bowls with a gold wash, Michael Keating, Dublin 1796

length 8.75"
4.3 oz

Antique Chinese Mandarin porcelain tea caddy and lid with polychrome decoration of figures on balconies and an applied fruit form knob. Circa 1790.
Height, 8.”

It is rare for these Export Caddies to retain their original lids.(chip to underside of lid.)

Provenance: The Cockrell Collection.

Antique American Sailors Cane Handle with ivory handle, hallmarked gold collar and shark’s vertebra shaft. Circa 1860, now mounted on a wood base.

Overall height: 12"

Cartouche-shaped black marble plaque inset with oval micromosaic panels depicting Roman archaeological scenes (clockwise from upper left): the Coliseum, the Temple of Hercules, the Roman Forum and the Pantheon. Those four panels surround the Doves of Pliny, an image often used in micromosaics, which comes from a Roman floor mosaic at Hadrian’s villa in Tivoli and is believed to be a copy of a lost ancient Greek mosaic at Pergamon described by Pliny the elder...

Fine George II Silver Tea Caddy, by Samuel Taylor, having a reverse pear-form body embossed with floral garlands centering a blank cartouche on each side, removable lid with shell-form finial. Marked on underside of base.

Samuel was the son of Thomas Taylor and started his apprenticeship with John Newton in 1737. His first marks was entered in 1744...

English, most likely Bilston, eighteenth century. The elongated oval shape, all over floral decoration, and the unusual brown painted panels are not infrequent characteristics of Bilston’s “gingham finish” enamel boxes, hence the Bilston attribution.

Fine cracks to enamel, and small losses on both sides and back.

Source:

Susan Benjamin. English Enamel Boxes. (1976.)