Catalog (100)

Rare Ashworth Porcelain Trivit, square, with Imari style decoration, squashed bun feet and an impressed mark dating to 1862-80. Made by G.L. Ashworth and Bro., Hanley, England

Height: 10”
Length: 10”

Antique American Federal Octagonal Tea Caddy, in mahogany the hinged top with satinwood stringing and banding opens to an interior well with a “floating” lid. Circa 1800.

See #10802 for another caddy by the same unknown maker

Height: 5”
Width: 6.5”

Antique French Tea Chest with Porcelain Caddies and Sugar Bowl, rectangular top inlaid with brass and tortoiseshell ,opening to a fitted interior with floral and putti decorated bottles. Circa 1870. (Sugar bowl repaired )

Height: 5”
Length: 9.35”
Depth: 4.85”

Pair of Aynsley Fruit Decorated Covered Urns by Paul English, (former Royal Worcester artist); twin handled vases of shouldered baluster form with covers, decorated with original hand painted fruit designs, signed. {Modern}

Height: 9”
Width (at handles); 5”

Fine Antique Sorrento Ware Tea Caddy in Olivewood, inlaid on all sides and top with different scenes of peasants and with tumbridge type inlaid borders. Italian, circa 1870.

Height: 4"
Width 5.25"
Depth 4.5" .

Rare George III Tea Caddy with Hidden Drawer, rectangular with stepped hinged top surmounted by a brass carrying handle, brass escutcheon and sliding side panel revealing a hidden drawer (patch above keyhole, lacks interior dividers).

One of the rarest of this form of tea caddy, the concealed drawer would have held your silver teaspoons.

For other examples of this form, type "10261" or "10263" into the search box.

Height: 6”
Length: 9”
Depth: 5.25” ...

Antique Cane with dog-form carved ivory handle and a gold collar inscribed: "From Wm. Henrie on his 75th birthday, November 6th 1874"

Length: 35"

**Regarding the Sale of Items Incorporating Materials from Endangered Species: An export license issued by the U.S. Fish and Wildlife Service will be required for the export of this item from the U.S. Prospective purchasers are responsible for obtaining this form.

English mahogany tea chest of simple rectangular form. The beauty of this chest lies in its interior with its two silver plate tea canisters and matching silver plate sugar canister. Circa 1825.

Height: 6.25”
Length: 9.75”
Depth: 6.75”

Exceptional English Domed Top Tea caddy in harewood with satinwood stringing and brass carrying handles and interior fitted with compartments for teas and sugar bowl. Circa 1800.

Height: 6.75"
Length: 12"
Width: 5. 75"

Attributed to South Staffordshire, England, Possibly Bilston, late 18th century. The “gingham finish” was principally produced in this area. By placing a piece of cambric over solid ground color and then applying white enamel this finish was achieved. The three dimensional decoration was also found in the area. It was normally created by applying several layers of enamel. In addition, the unusual heart shape has been found in other Bilston boxes.

Chips to lid and side, loss to gildi...

18th-century English Transferware Patch Box; Now known as Royal Leamington Spa, the town of Leamington began its prodigious spa industry in 1784 when it began building baths around its salt springs. Consequently, the image on this patch box displays a Classical figure holding a caduceus, a symbol of the medical community dating back the sixteenth century. Thus, it is safe to say that this could have been produced no earlier than the last quarter of the eighteenth century. In addition, this box...

English, Bilston, 18th century, patch box. These memento boxes were popular at the end of the eighteenth century and frequently given as tokens of friendship and love. They were also purchased as souvenirs while traveling. They frequently started with the phrase “A trifle from...” as seen on this box. Usually oval in shape, but also circular and rectangular, their decoration reflected the popular styles of the day. However, this box is particularly unusual in its mention of Blockley. Fou...

English, Bilston, 18th century, patch box. These memento boxes were popular at the end of the eighteenth century and frequently given as tokens of friendship and love. Usually oval in shape, but also circular and rectangular, their decoration reflected the popular styles of the day. For example, by the 1790s Neoclassical style swags, doves, hearts, and borders were the most commonly used decoration of the day.

Allover cracking. Small losses to the lid, one side and the bottom.

Susan B...

Most likely French, 19th century. A nineteenth-imitation of the extremely popular souvenir boxes made in Bilston at the end of the eighteenth century (see 5218-18). However, it clearly dates to the late nineteenth century. The lug and ribbed banding on the metal hinge, and the inferior quality of the painting identify this box as a nineteenth-century creation. It’s also important to note that the use of the French on the lid is not indicative of its origin, but rather another attempt at eight...

Antique English small barrel in lignum vitae with ivory stopper and later brass spout. Early-mid 19th century.

Length: 9"

Most likely French, 19th century, snuff/pill box, However, it clearly dates to the late nineteenth century. The lug and ribbed banding on the metal hinge, as well as the loose hand-painted nature of the lid identify this box as a nineteenth century creation.

Very good condition. Some loss to interior enamel and on the underside.

English, most likely Bilston, eighteenth century. The elongated oval shape, all over floral decoration, and the unusual brown painted panels are not infrequent characteristics of Bilston’s “gingham finish” enamel boxes, hence the Bilston attribution.

Fine cracks to enamel, and small losses on both sides and back.

Source:

Susan Benjamin. English Enamel Boxes. (1976.)

5218-21: English, Bilston, late 18th century, patch box these memento boxes were popular at the end of the eighteenth century and frequently given as tokens of friendship and love. Usually oval in shape, but also circular and rectangular, there decoration reflected the popular styles of the day. For example, by the 1790s Neoclassical style swags, doves, hearts, and borders were the most commonly used decoration of the day. This box reads "Unity is the bond of society."