Catalog (1024)

Pierre François Edmond Coppenolle (Belgian 1846-1914)

Still Life with Fruit and Sunflowers

Oil-on-canvas laid down to board, signed lower left

Painting: 23 ½” x 31 ½”
Frame: 29” x 37”

Born in Belgium, Coppenolle went to France to work at the faience factory of Schopin in Montigny. There he created sketches and ink studies of hens and cocks for plates, platters, jugs and cache-pots. His paintings repeated the same themes but also included st...

Antique Brass & Wire Firefender; “D” form with with brass ball finials on the toprail sides and crosshatched brass wire body, English or American, Late 18th/ Early 19th Century.

width 45”

Antique Japanese Kutani vase with handpainted decoration of figures on a balcony and birds on branches, late 19th century, now wired as a lamp.

Height: 10.5” (vase & base)

Antique Dutch Style Tile Picture; Six Tiles depicting a Horse and Groom. Circa 1900.

Frame Size: 18" x 13"

Fine Modernest Abstract Figural Form Bronze having alternating planes of smooth and textured surfaces. Mounted on a wood base. Unsigned. Mid 20th Century

Height of bronze: 15.25"
Over all Height: 22"

**For other mid-20th Century artwork in our inventory, type “modern” into the search box.

Unusual Victorian Black Lacquer Drinks Table, having a reticulated papier mache top (now enclosed) with a polychromed scene of a fantastic landscape on a gilt decorated tripod stand with a turned pillar, scrolled legs and a plinth base supported by ball feet. English, circa 1860-70.

h:24 w:18 in.

John Horace Hooper (British, c.1850-c.1899)

The End of the Day

Oil-on-canvas, signed lower left and on reverse; titled indistinctly on reverse.

Painting: 24" x 42"
Frame: 29.5" x 47.5"

Primarily a landscape painter of pastoral scenes, Hooper painted in a broad realistic style similar to that of H.J. Kinnaird. A prolific artist, he exhibited at the Royal Academy from 1885-1899 and at Suffolk Street from 1877-1878.

There is some discrepancy over hi...

Benson Bond Moore (American 1882-1974)

" Maryland Landscape, Bladensburg.MD."

Oil on board, signed lower left and titled on the reverse

Painting: 12" x 18"

Frame: 19" x 25.5"

Provenance: The Estate of a Toms River Collector

Benson Bond Moore, painter, etcher and teacher was born in Washington, DC. He studied at the Corcoran School of Art with Messer and Brooke , and also with Max Weyl . He continued his studies in drawing at the Linthicum Institute u...

French School (18th/19th Century)

Boy with a Mandolin

Oil on wood panel.

Painting size: 3” x 2.5”

Frame size: 8.75” x 8.25”

Fine antique gray and white marble pedestal with octagonal base, ring turned pillar and square, rotating top with cut corners. Circa 1860-1870, probably French.

Top: 9.75” x 9.75”
Height: 41”

Large Georgian Pierced Brass Fire Fender, having a bowed front, urn and “Prince of Wales” feather design and fine "bright-cut" engraving. English, Circa 1750. Please note that each end has been extended by 4" to fit a larger fireplace.

Length: 60" Depth at Center: 12"

These early brass fenders are typically very heavy and carefully made. They had little functional use but were strictly for adornment.

Heading Out

Attributed to Alfred Stannard (British, 1806-1889)

Oil on artist board. From the supply label on the back we can date this to the 1830’s.

An artist in a family of artists, Stannard was the brother of Joseph and father of Alfred George.

Although known primarily as a landscape painter, he also produced a few highly regarded marine and coastal scenes. Stannard’s works were exhibited at Norwich and at the British Institution from 1826-1860.

The Norw...

Lucio Sollazzi (Italian, 1925 - )

The Red Gate

Oil on artist board, signed lower right.

Painting Size: 11” x 15”

Frame Size: 16 ” x 20”

Born in Pavia, just south of Milan, Sollazzi, studied with Romeo Borgognoni (1875-1944), attending Milan’s Academia di Brera. His work has been immensely popular throughout Italy and Europe with his focus on subjects of scenes of small villages in Greece, Italy and the North African Coast in particular.

Pastoral Alpine Landscape

Swiss School (Late 19th century)

Oil-on-tin.

Painting Size: 15.25” x 12.25”
Frame Size: 19.75” x 17”

Clark Summers Marshall (American, 1862-1944)

Autumn Colors

Oil on canvas, signed.

Painting Size: 22” x 18”
Frame Size: 29 ” x 25”

** For other paintings by artists from Maryland, Virginia, Washington DC or North Carolina, click on the “Regional Artists” button on our Homepage.

A native of Talbot County on Maryland's Eastern Shore, Marshall became a highly regarded landscapist, painting mainly in the impressionist manner. His artistic edu...

Maurice Braun (American, 1877-1941)

Old River Landings

Oil on canvas, signed lower right and titled on stretcher.

Painting Size: 20” x 22”
Frame Size: 26” x 28”

Maurice Braun is one of the most well-known artists of California Impressionism. His deeply rooted beliefs in the unity of man and nature combined with the beauty of America’s southwest landscape gave rise to paintings that made him one of the most lauded artists of his day.

Bor...

John Hitchens (English b. 1940)

Hills and Coming Rain

Oil on board, signed and dated "1964" lower left and signed, titled and located on the reverse "Greenleaves Petworth, Sussex".

Painting: 14” x 30”
Frame: 17 ¼” x 33 ¼’

John Hitchens was born in 1940 in Hove, Sussex. He studied at Bedales School, Petersfield and Bath Academy of Art,Corsham. His work initially focused primarily on the patterns of landscapes, but in r...

Fine pair of Antique Charles X style Candelabra in ormolu,each with four scrolling candlearms (now electrified) and foliate decoration on the circular base and shaft.French, circa 1870-80

height of candelabra: 19"
Overall Height:28.5"